Story telling basics

Pixar story artist Emma Coats has tweeted a series of “story basics” over the past month and a half — guidelines that she learned from her more senior colleagues on how to create appealing stories:

#1: You admire a character for trying more than for their successes.
#2: You gotta keep in mind what’s interesting to you as an audience, not what’s fun to do as a writer. They can be v. different.
#3: Trying for theme is important, but you won’t see what the story is actually about til you’re at the end of it. Now rewrite.
#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.
#5: Simplify. Focus. Combine characters. Hop over detours. You’ll feel like you’re losing valuable stuff but it sets you free.
#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.
#8: Finish your story, let go even if it’s not perfect. In an ideal world you have both, but move on. Do better next time.
#9: When you’re stuck, make a list of what WOULDN’T happen next. Lots of times the material to get you unstuck will show up.
#10: Pull apart the stories you like. What you like in them is a part of you; you’ve got to recognize it before you can use it.
#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you’ll never share it with anyone.
#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
#13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but it’s poison to the audience.
#14: Why must you tell THIS story? What’s the belief burning within you that your story feeds off of? That’s the heart of it.
#15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
#16: What are the stakes? Give us reason to root for the character. What happens if they don’t succeed? Stack the odds against. 
#17: No work is ever wasted. If it’s not working, let go and move on - it’ll come back around to be useful later. 
#18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining. 
#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating. 
#20: Exercise: take the building blocks of a movie you dislike. How d’you rearrange them into what you DO like? 
#21: You gotta identify with your situation/characters, can’t just write ‘cool’. What would make YOU act that way? 
#22: What’s the essence of your story? Most economical telling of it? If you know that, you can build out from there.

Fietsen op de keukentafel

Cameratracking in Blender. Footage gemaakt met de iPhone 4. Voor de liefhebbers: de iPhone 4 camera data voor solving the track: Focal Length 3.636 en sensor width 3.290. Footage en tracking toevoegen aan een bestaande animatie leverde problemen op met de renderlayers en de compositor.   Eerst een blendfile maken met footage en tracking en daarna de objectdata met append uit een andere blendfile importeren gaf betere resultaten. Het renderen van de cameratrack leverde 3 foute frames op. In die frames werd de camerapositie in global space namelijk gespiegeld ten opzichte van  de origin met factor -1. Me suf gezocht naar de oorzaak, niet gevonden. Work-around: door de track te converteren naar een F-curve konden de animatiedata van de frames gewist worden. De curve zorgt voor de interpolatie naar goede bruikbare frames, zodat Joris zijn rondje op de keukentafel kan maken.

  

Toegevoegde waarde van een architect?

'Wat is de toegevoegde waarde van een architect?' 
Daar heb ik meer dan 1000 woorden voor nodig, dan maar een visualisatie ....